study for The Protection Papers: Borders, Boundaries, and Blockades in the Art of Dennis Oppenheim
Study for re-creation of "Protection," by Dennis Oppenheim, in collaboration with Aaron Levy (Slought Foundation), author of study. Investigations, renderings, and speculative film re-creation by Andrew Lucia.
"Oppenheim temporarily installed "Protection" at the Boston Museum of Fine Arts on Tuesday, 2 February 1971; he positioned twelve trained guard dogs on a 32' x 64' rectangular land area adjacent to the museum to create and insallation that might be informaly encountered by spectators without occluding direct access to the museum entrance. Each dog was attached to twelve 5' street poles with 6' chains for the duration of the installation, a few hours. An interval of 2' separated each chained dog, such that visitors could circulate through the piece with fear, but wihout physical harm."*
*Originally published:
Levy, A. “The Protection Papers; Borders, Boundaries, and Blockades in the Art of Dennis Oppenheim” Via; Occupation, PDSP/School of Design, University of Pennsylvania, Philadelphia, PA. pp 60-65, 2008.
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